- Born in the late 60's, Chesy hails from a Welsh mining village with a long name and was pretty glad when he got the Hell out of there. He got into Rock/Metal in about 1980, thanks to a TISWAS related incident (Rainbow video for All Night Long) and thankfully has never looked back. Chesy often sang solo in the school choir, but thanks to a puberty related incident his voice is now completely bolloxed, although in his own head Paul thinks he sounds like a blend of Coverdale and Dio (R.I.P). He was brought up on the classics - Deep Purple, Rainbow, Thin Lizzy, Rush, Whitesnake and loved melodic rock and the Hair Bands of the 80's. (Nowadays, he has progressed a little and prefers a more technical and/or progressive metal - Dream Theater, Rush, Symphony X, Porcupine Tree, Pain Of Salvation, Spock's Beard. He hates Black and Death Metal (can't stand the grunting) but for some unknown reason loves the magnificent Opeth! He wont stop this blog until his beloved FM finally play the likes of the NEC as a headlining act!!!
Saturday, 22 August 2015
Amadeus Awad - 'Death Is Only A Feeling' Album Review
Concept albums are ten a penny. Lots of bands have tried to tell a story, and there’s a small number that have succeeded in getting it right…Pink Floyd, Ayreon, Queensryche, and Dream Theater will appear at the top of many a fans list. For me, Amadeus Awad needs adding to this list. For those not in the know Amadeus Awad has already released a few nuggets – “The Book Of Gates” and “Schizanimus” being just two recent ones. A mere nine months after ‘The Book Of Gates’ comes ‘Death Is Just A Feeling’. The guy is releasing albums like it’s the 1970s all over again.
Along for the rise is his longtime collaborator, Elia Monsef (Ostura), just adding vocals to one track (no writing), and transferred in on loan is the exquisite Anneke Van Giersbergen, and the European Master of all things Concept, Prog and genius at pulling in talent from all over the world, Arjen Anthony Lucassen. For once he is the hired hand, and Amadeus Awad has pulled off a master-stroke in getting both AVG and AAL. He has also managed to snare (pun definitely intended) Marco Minnemann (drums on 4 of the 6) and Spocks Beard drummer Jimmy Keegan
‘Death…’ is a personal account, and one that eclipses any of his work to date. I’ve never been anywhere near a hurricane but I can imagine from what I have read, and that listening to ‘DIJAF’ is akin to placing yourself in the eye of the storm. A calm and stillness is present, yet all around you, ‘DIJAF’ is an all encompassing entity, a whirlwind of music, surrounding your senses; and its got THAT VOICE! It opens up with Arjen Lucassen saying, “Right where it ends”, after which we have a narrator (Dan Harper) basically declaring that “he does not know what love is”. So, ‘Opia’ gently unfolds and draws you into its story. I think of it in a similar way to Dream Theaters ‘Scenes From A Memory’, only this album is two thirds in size. I imagine that Anneke Van Giersbergens vocals are not for everyone. Not for me, as I hang onto every word and phrase. ‘Sleep Paralysis’ is where ‘DIJAF’ really kicks into gear, it’s a dark, brooding piece that you would expect from a title like ‘Sleep Paralysis’. AVG vocals here are almost hypnotic, lulling you into sleep and when coupled with the acoustic, guitar, Hammond, and Marco Minnemann’s sublime drumming, the end result is dramatic and captivating. Such is the level that you are being drawn in, you hardly notice the change in track (‘Monday Morning’), the narrator asking a lot of life questions before an intensely powerful instrumental acoustic passage, that just glides by.
Ostura’s Elia Monsef steps up to the mic for ‘Tomorrow Lies’. The whole piece you can feel is building gradually with each passing song. Monsef adds passion and depth to the sorrowful and searching lyrics. Amadeus Awad knows not to overplay and just throw tons of tones at you, there a nice slide guitar playing subtly underneath the vocals, with a nicely constructed guitar solo played with slabs of emotion. Like I stated earlier, I felt it was all building to a crescendo, and that crescendo comes in the form of AVG and the longest track, ‘Lonesome Clown’. Not only is it the longest, but also the finest track. AVG’s lilting vocals are conveyed with sadness, but beautiful tone...”Death is just a feeling that you’re never coming back”. It’s in this middle section when the instrumental lies that the track really takes off, synth vs guitar combining to make an expansive piece. Its up one moment, down the next, with Minnemann’s playing surrounding Awad’s excellent guitar soloing.
‘DIJAF’ soon gets to its last track, ‘Temporary’. Only there is nothing temporary about it. Arjen Anthony Lucassen makes a rare appearance as a vocalist, and despite his lack of vocals in anything Ayreon, proves that he can hold his own. It’s a departure from everything before, and is more upbeat and positive. The song finishes with a lengthy instrumental piece with Lucassen having the final word…”I want the whole universe to know that The story begins…” and takes you right back to his opening words…”Right where it ends”.
All in all it’s not a long album, at just under 45 mins. To have a great concept album, or any album, doesn’t mean it has to fill up a cd or two. The length is the length, and in this case ‘DIJAF’ takes you on a compelling story in a fleeting moment and it just flies by to the point where you want to take it in all over again. Amadeus Awad has turned out some compelling pieces of work these past few years, but none is quite as good as this. If you want to take a trip to the dark side and come out illuminated, then this is what you’ve been looking for….
Amadeus Awad – Acoustic, Electric & Bass Guitars, Keyboards & Orchestration
Anneke Van Giersbergen – Vocals
Arjen Lucassen Vocals
Elia Monsef – Vocals
Marco Minnemen – Drums on tracks 2,3,5 & 6
Jimmy Keegan – Drums on track 4
Nareg Nashanikian – Cello
Rafi Nashanikian – Clarinet
Dan Harper - Narration