Rock Reviews - Classic. AOR. Prog. Metal.
Album Reviews - Interviews - Live Reviews
A blog dedicated to followers of Rock music.
email - firstname.lastname@example.org
Twitter - @chesyrockreview
Now on Facebook! 'Chesyrockreviews'
Born in the late 60's, Chesy hails from a Welsh mining village with a long name and was pretty glad when he got the Hell out of there. He got into Rock/Metal in about 1980, thanks to a TISWAS related incident (Rainbow video for All Night Long) and thankfully has never looked back.
Chesy often sang solo in the school choir, but thanks to a puberty related incident his voice is now completely bolloxed, although in his own head Paul thinks he sounds like a blend of Coverdale and Dio (R.I.P).
He was brought up on the classics - Deep Purple, Rainbow, Thin Lizzy, Rush, Whitesnake and loved melodic rock and the Hair Bands of the 80's. (Nowadays, he has progressed a little and prefers a more technical and/or progressive metal - Dream Theater, Rush, Symphony X, Porcupine Tree, Pain Of Salvation, Spock's Beard. He hates Black and Death Metal (can't stand the grunting) but for some unknown reason loves the magnificent Opeth! He wont stop this blog until his beloved FM finally play the likes of the NEC as a headlining act!!!
Well I thought if I was going to do a last
review, it might as well be a good one! Moritz are back in the game, it’s been
four years since SOS was released and a mighty 30 years since their first. In
terms of Prog bands, Moritz are still pretty damn prolific by comparison!
There been some changes since the last
album. Greg Hart has departed to form his ‘Kittens In Orbit’ band, or ‘Moggies
on Mars’, or whatever it is. Hart was one of the main songwriters in Moritz,
and you would think that his trip into space would affect the Moritz output.
Well, you’re completely wrong, because ‘About Time Too’ sees Moritz ditch some
of the pomp and go more rock than roll and added a bit of soul and blues
without losing any of the melody that the AOR crowd love them for.
I was fortunate to be given the demoes to
listen to a few months back, and they were a stellar set of songs before they
were tweaked and polished. I can’t believe it was 10 months ago.
The band still consists of its core members
Peter Scallan (Vox), Mike Nolan (guitars) and Ian Edwards (Bass/Keys). In comes
long time cohort Kenny Evans (guitars) and John Tonks (drums). I add that for
the ‘up and coming gigs’, Moritz will be joined by Chris Teeder (keys) and Russ
Wilson (drums). Cool. Everyone’s got a mention.
The demoes didn’t need much polishing, but
they have pulled out all the stops and raided both Auto Glym and Mr Sheene and
its been polished to within an inch of its life (in an utterly good way). The
change is fantastic.
Scallan has had his shackles unleashed and
is like a different singer. No longer trying to be pushed into being a Scottish
Freddie Mercury, the guy now has amore
bluesy raspiness to his tone. And the result on the opener ‘One More Beautiful
Day’ is brilliant. Couple this with the sumptuous harmonies and the wonderous
composition, and starts to albums don’t get much better than this.
‘Moon And Back’ is like ear candy of the
highest order. The chorus just infecting your lug’oles and embedding itself
after just one listen. It's like something that the lapsed Rock God Michael
Bolton would have done in his brief dalliance with AOR. ‘Chance of a Lifetime’
has a great 80s lyric, ‘walking on a thin line, between love and hate’. It’s a
huge 80s influenced song. In fact, if it were 1986 we would all be shitting
ourselves with excitement! I’m an old fart brought up on music like this, and I
did let out a little excited trump if I’m honest, as it brings back a lot of
great memories from so many great bands (and times). The melodic rock community
will love this. 'Dreamland’ is probably the only song on the
album that keeps it all reined in. It shows a different side to Moritz and never attempts to go for the huge riff. ‘Take
it On The Chin’ kicks off with Flight Lieutenant Mike Nolan (he of the
flying V display troupe) who steps up and produces a face melting riff, combined
with Ian’s Hammond sound which also sees Peter Scallan catching his balls on
razor wire and hitting a note that only dogs and teenagers can hear. Scallan
sings, ‘Some you lose, some you win, you gotta take it on the chin.’ Well based
on this selection, Moritz will undoubtedly be winners.
‘Run’ shows that its not all about pure
pink fluffiness. The Moritz boys like to rock out occasionally and this is a
prime example. A co-write with Ivan Gunn, it gets full marks as a soft/LOUD
rocker; the best ones mix the tempo, and this one does it with flair, and has a
cracking guitar solo. It will sound massive live. ‘Love Long Gone’ is the kind
of song that bands tried to coax out of the ‘masters’ such as Diane Warren or
Desmond Child back in the day, and it wants to make you dig out your bleached
denims and leg-warmers, and buy a DeLorean and head back to the 80s. ‘Own
Little World’ is ‘Styx-esque’ with layers upon layers of vocal harmonies. It is
a ‘Part II’ companion piece of ‘Caught Between Life & The Light’ from SOS
and is an absolute delight.
Next up is my outright favourite on ‘ATT’.
The demo stood out like a baboon’s arse, and it does today even though I had to
go looking for it as the title has changed to ‘You Don’t Know What Love Is’.
It's Like Procul Harum, Percy Sledge, and Lorraine Ellison got down and dirty,
and 9 months later it spawned ‘YDKWLI’ (it just rolls off the tongue)! The
guitar solo from Mike Nolan is up there with some of the best. Moritz hit the
final furlong full in their stride with ‘There’s Something About/Unwanted Man’. Its got a moving synth intro (think Tarot Woman), before unleashing the beast. Fuck.
Me. ‘Unwanted Man’ is huge. The opening riff is to die for, then it steps back
to build its tempo to a crescendo and ‘that chorus’. Evans and Nolan trade
licks like Robbo and Gorham back in the day. Wow! It's one of the best finishes
to an album I’ve heard in quite some time.
Kids, there’s a bloody good reason why
Moritz are so damn good. They have influences from a time when there were lots
of great melodic rock bands around. They take snippets from the best and turn
them into their own style. When other labels are turning out ‘average’ as being
acceptable, it's great to see some local boys leading the charge and showing the
rest how it should be done.
I’ve loved ‘Undivided’, and ‘SOS’, but
‘About Time Too’ takes it all to a whole different level.
95/100* (5 deducted for Peters' taste in footwear! Courtesy of Grant Foster)