Frontiers Festival - Day 2, Live Club Trezzo sull'Adda, 2nd May 2014

DAY 2

Where day one was a national holiday, and saw the venue ram packed, Day 2 (I suppose being a normal work day) saw a drop in numbers. Not many, but enough to notice.

First up for day 2 was Adrenaline Rush. Quite a few entered the hall to witness these young Swedish guns. Basically if you’re a hot blooded male (who isn’t at a rock gig?), then it’s hard not to be distracted by front-woman Tave Wanning. Absolutely gorgeous and also having the triple whammy of a.) Being able to sing, and b). Having excellent stage presence, c.)The being gorgeous bit. Day 2 takes off with a force of a hurricane. I find it amazing the Adrenaline Rush, who are basically kids, want to take up melodic rock, when there has to be other profitable avenues. Thankfully they did, and AOR will definitely gain from having AR in its line of sight. By the second song and their first single ‘Change’, you can tell that Tave has been to Serafino's 'rock school' as she pulls all the moves out of the rock handbook. 'No, No, No' definitely sees them paying more than a passing nod to Dokken (nice!). They even manage to fit in a decent cover of Rainbow's 'Long Live Rock And Roll' for their finale. Adrenaline Rush are destined for great things - I promise you! (7.5/10)

Now, whoever thought to put Moonland on after Adrenaline Rush was sorely mistaken. They are probably the first (and last) Estonian band to be on the bill. Whereas AR were all blood and thunder, Moonland were the rock equivalent of fluffy kittens. I like kittens, but to be fair, it was like watching a band who met in the corridor 5 mins before they were to go out on stage. Lenna Kuurmaa looked out of place, seemed to lack confidence (issues clearly with in ear monitors didnt help her cause), and struggled. Her voice was very good, nice and warm, but I feel that a few warm up gigs would have done them the world of good. 'I Cant Go On' bordered more on pop, and based on the gig, the title could have been a prophecy. By the time they got to ‘Another Day In Paradise’, Moonland just about hit their stride. It was a bit harder and edgier than the rest of the songs. I’ll give them the benefit of the doubt and await the album (5/10)

L.R.S. (LaVerdi, Ramos, Shotton) were here to kick start the day’s proceedings. This was also their first ever gig. Moonland –That’s what happens when you get seasoned professionals together - they just know how to put on a performance, and was 100% improvement on Moonland, all this before a single note was sung by Laverdi. Here is a bloke who was definitely glad to be here. In his excitement he forgot to put his shoes on!!! ‘Walk Away’ was just like listening to Journey, and that’s a big complement. After 27 years away from rock music TLV (despite working constantly) has really looked after his voice. Having Alessandro Del Vecchio on board really makes a difference, as the harmonies from him and Shotton on ‘Universal’ were just excellent. The Storm's ‘I’ve Got A Lot To Learn About Love’ is up next. It doesn’t matter if LaVerdi doesn’t know all the words, he seems to be enjoying the experience like a fanboy! Shotton takes the mic for Von Grooves 'Once Is Not Enough', before levelling the place with 21 Guns' 'Knee Deep'. If ever there was a masterclass in having a limited time and hitting you right between the eyes, then this was it. I only hope I get the opportunity to see them again (8.5/10)

Pretty much everything up until now and what is to proceed follows a similar melodic path. Eclipse on the other hand go for the Spinal Tap route. What I mean by this is, one louder, one heavier, and one metal-er. Their heritage is there for all to see, but they have chosen a slightly different path than the rest, and their entrance livens up the audience. Let’s face it, after Moonland anything different is welcome, and Eclipse feed off the good vive that was left behind from LRS. As a part of W.E.T., Erik Martensson takes a side role, but with Eclipse it’s definitely the chance to show off his energy and vocal talent. It’s a very animated performance - swinging his mic stand like a flag, and even a dodgy performing mic didn’t affect his performance. As a four piece they have all the bases covered, it’s a very accomplished and sonic performance. Their set is heavily weighted towards ‘Bleed & Scream’, and quite rightly so. ‘Battlegrounds’ has this Thin Lizzy ‘Black Rose’ vibe, ‘A Bitter Taste’ has some exemplary soloing from Magnus Henriksson. Erik Martensson has quite a bluesy tone to his voice, and definitely channels his inner David Coverdale/Whitesnake for ‘Bleed & Scream’, and have proven that they have come a long way since their UK performance at Firefest (other festivals are available). Finishing with ‘Breaking My Heart Again’, not only does it sounds like a Whitesnake song, but it’s a song that Whitesnake have been trying to write for years, without success. Eclipse will take some Eclipsing! (8.5/10)

Red Dragon Cartel are a bit of an unknown entity to me. Little time familiarising myself with their music makes it difficult to get a good grip on the set, apart from the non-Red Dragon Cartel songs that will come up in their set. I personally think the sound is poor, Darren James Smith makes himself difficult to hear clearly. Perhaps down to our position in the venue? That said, every bugger else sounded as clear as crystal. Despite having a new album, only four out of the eleven songs today are from the debut. Like Snakecharmer the day before the audience want to hear former bands in Ozzy and Badlands. The crowd livens up when Jake E Lee’s other bands have been represented -  opener ‘The Ultimate Sin’, and closer ‘Bark at The Moon’ get the greatest shouts, but for me it’s the Badlands tracks that make the biggest impression. DJ Smith handles Ray Gillen’s vocals really well, especially on the extended ‘Rumblin Train’ with Lee wringing the neck and every note out of his Strat. Also ‘Shine On’ and ‘High Wire’ are well represented. Despite Jake E Lee living on his past success (most of which happened 25 years ago), I expected a little bit more (6/10)

Pretty Maids are one of the few bands over the whole weekend that have kept going and never been tempted to have a break. The band revolves round guitarist Ken Hammer, and singer Ronnie Atkins. Out of all the bands appearing Pretty Maids certainly went for the look out of all the bands over the course of the three days. All went for full on stage gear, and drummer Allan Tschicaja had the biggest ego/drum riser of them all. The Danes open up with the powerful ‘Mother Of All Lies’, and its more Power Metal than AOR, and it’s a pretty damn good start. After 2 days of revelling, it’s time for a break as Im certain Ronnie’s singing ‘I See Goats!’ Of all the audience prior to today, the Maids have the most number of T-shirts on show. ‘My Soul To Take’ from the new Frontiers album borders more on pop than rock, but fits in with the established stuff. ‘Please Don’t Leave Me’, a John Sykes cover is a highlight of the set for me especially (as a non-fan) that it’s a song I never new was a hit for Pretty Maids. The biggest cheer is towards the latter part of the set for ‘Back To Back’, ‘Red Hot And Heavy‘ and the closer @future World’ Again’. After this gig the guys are staying in the same hotel- from the back of the hall you couldn’t tell, but close up these guys ain't exactly pretty!! (8/10)


Stryper for me where the whole reason for attending Frontiers Festival. A fan from the beginning, this what my first ever Stryper gig. They had a lot of expectation to meet, and I’m happy to say that they delivered. Seen by some as a bit of a joke, Stryper have a great formula - great front man - check; great songs - check; harmonies - double check! Once the bands intro comes on "Battle Hymn" it suddenly becomes a religious experience and I WANT A BIBLE! Stryper are as tight as a nut. Opening up with ‘Sing Along Song’, it’s more of an invitation than a title, as the crowd all join in for the chorus, even the naysayers! When they play ‘Calling On You’, the harmonies are off the Richter scale. The songs off the new album fit well with the old, they are much heavier than anything they have done before which for me is a great plus. These are hard songs to sing, and Sweet keeps within a range that’s comfortable but still proves he's one of the best singers in rock. His guitar playing is not shabby either! Even a death metal riff prevails with ‘Marching Into Battle’. Stryper then head into a couple of covers, Priests ‘Breaking The Law’, and a belting version of Kiss' ‘Shout It Out Loud’ which probably hasn't been sung this good

for a number of years. It’s a no frills set up on stage. None of the yellow and black set, only a few small examples now exist on their stage clothing. The only thing (apart from the guitars) that’s still yellow is Robert Sweets hair. Thankfully there were no solo spots, just Stryper pulling out the shots. Like Jake Blues, at the end of the gig I am converted and I have seen the light. Hallelujah! Best band of the festival so far (9/10)


Pics courtesy of Sam Compton

Frontiers Festival - Day 1, Live Club Trezzo sull'Adda, 1st May 2014

DAY 1

So, here we are for the very first (hopefully of many) Frontiers Festival. The venue in question is one of the finest I’ve visited, the Live Club in Trezzo sull'Adda situated on an industrial estate halfway between Bergamo airport and Milan. Frontiers seem to have pulled a bit of a master stroke. Sure its only bands on the Serafino Perugino Frontiers label, but what a line up it is. Probably one of the finest melodic rock line ups there has been...ever! In the history of AOR line ups…EVER!!!

On arrival the allocation of tickets is poor. This is the only criticism I have over the whole festival. Even arriving an hour before the gig started, I would say a good 60% had yet to enter by the time the very first band - State Of Salazar hit the stage. There were a few disgruntled punters, but that was soon washed once they say the venue and atmosphere. Visitors were from all over the world - Italy, Greece, Spain, Sweden, Germany, UK etc. It’s a bit like Field Of Dreams, if you get the right bands, then they will come!

State of Salazar were ok, but Frontiers missed a trick here by having a few of the bands having albums in the pipeline a few months ahead. All the songs are new to the crowd, and whilst the audience responded well, there just seems to be a spark missing. Based on first impressions, SoS have a bright and promising future ahead of them (6/10) 

With Dalton however, the ante was definitely upped. Not seen by these eyes before (or many others probably), Dalton were a very nice surprise indeed. So a couple of them look too old to be away from their day care centre but Dalton play a style of AOR that’s very hard not to like, and with songs like ‘Hey You’, ‘Love Injection’ (oo-er Missus!), and ‘You’re Not My Lover’, have the melodic loving audience wetting themselves - their album will be on a lot of peoples want lists come the Autumn (7.5/10)

Three Lions were here representing the first of two back to back Blighty bands. I have to admit that the debut album is a bit of a belter, and today their live performance kicks the album into a cocked hat! Three Lions (Bailey-o, Burns-o, and Morgan-o) came with 2 added cubs, and it made for a rounded and fuller experience. If Dalton were good, then Three Lions pissed all over what came before and truly set a marker not just for Snakecharmenr but for the rest of the remaining bands, AND the next two days - yes they were that good. Opening up with ‘Holy Water’, Three Lions make their statement and a lot of people immediately take notice. 'Twisted Soul' was fantastic, a 70s Classic Rock Vibe with a killer riff from Burns, and ‘Kathmandu’, to me anyways is Three Lions' ‘Stargazer/Heaven & Hell’, and sees Nigel Bailey wringing every note possible out of those velvety pipes - I suppose that’s what 20 beers the day before does for you. ‘Don’t Let Me Fall’ has them playing a special version - Jap x with the album version and was a rather nice alternative. ‘Hellfire Highway’ followed, ending with the excellent ‘Trouble In A Red Dress’. Me, I'd have had them swap with Snakecharmer and play the whole album, but I’m not Serafino. This is one band I would ask back next year without a doubt. (9/10)
 
Where Three Lions mantra is 'We have upped our game, so up yours" the gauntlet from the UK lions (+2 cubs) was cast firmly on the stage for Snakecharmer, who come out of the blocks faster than a speeding sloth. It’s undoubtedly the 'all star' cast of the day when you have the likes of Moody, Murray, Wiseman, Ousey and Wakeman peddling their classic rock wares. When you look at the rest of the bands around them, Snakecharmer seem to be outcasts and their brand is not as pink and fuffy as the rest of the melodic rock line up that’s here - not just today, but for the whole weekend. It’s plain to see from the off that the Snakecharmer guys are old hat at plying their trade, Ousey’s vocals are outstanding, considering he is a waif of a bloke and he takes every opportunity to present his soulful vocals. Let’s face it, 90% of the audience are here for the Whitesnake songs, and they will be coming, but first it’s a chance to show off the debut album. Songs such as the excellent ‘Guilty As Charged’, ‘My Angel’ and ‘A Little Rock and Roll’ are well received, but for me the place partly emptied for a retreat to the bar when Moody does his slide guitar solo, and it’s the same solo (pretty much) as my first ever gig seeing Whitesnake in 1982! The crowd do come alive for the classics – ‘Slow And Easy’, ‘Here I Go Again’, and ‘Fool For Your Loving’ and they are given a nice slant by Ousey. Despite having a great singer, Snakecharmer seem a little souless and there’s definitely that spark missing to set them on their way (7/10)

W.E.T. are one of the best melodic rock bands plying their trade today. Today’s set weighs heavily on their latest album, and there’s good reason for that. W.E.T. absolutely make use of the fact that they have another bonafide quality singer stood alongside JSS on guitar, because in Erik Martensson they have a guy whose higher register takes JSS's vocals to a new and higher dimension. Add in the vocals of the other three, and its harmony hairspray, I mean heaven. Jeff Scott Soto commands the stage like a General, plying his trade with supreme confidence - hair flicks, karate kicks all applied with style. Which is not said of his clothing style! That said, it’s not about the clothes – it’s about the music, and W.E.T. have great songs in abundance. It’s great that there’s whims/projects for Serafino to occasionally get off the ground and more importantly become a touring/ live entity. Right from the off, the first thing that hits you are the harmonies, with ‘Walk Away’ getting the full treatment. ‘Learn To Live’ again highlights how good a singer Martensson is, but we find out more of this tomorrow. ‘Comes Down Like Rain’ is a poignant tribute to Marcel Jacob, and JSS shows off his sort Journey period with the very Journey-esque ‘If I Fall’. W.E.T.s set is over all too soon for this AOR faithul crowd, but they definitely leave their mark on the audience (7/10)

Hardline are one of those bands plying their trade with just one original member. Hardline would definitely not be Hardline if it were not for two people- original member Johnny Gioeli, and the Frontiers go to guy for keys, production, writing and a set of pipes that deserves its own platform, the extremely talented and diminutive Alessandro Del Vecchio. Over the 3 days you're hard pushed to find someone as excited to be on stage as Gioeli - he's a freakin whirlwind, never stopping, running around the stage like a kid living the dream. I never thought that Gioeli was the best rock singer in the world, but fair play to the guy he is a different league live. The set weighs heavily on Hardline's debut album, and quite rightly so, but it’s a Frontiers fest, so ‘Fever Dreams’ and ‘Danger Zone’ get an airing from the new album. Ale and Anna Portalupi are two of the smallest musicians playing anywhere in the world today, what they lack in height they make up in kickass playing. At one point Gioeli makes the mistake of engaging Ale in a sing off. Bad move! It was probably the first of many resounding applauses for DelVecchio over the weekend. We all want to hear the debut, and Hardline don’t let us down – ‘Dr Love’, ‘Life’s A Bitch’, ‘Taking Me Down’, and one of the best melodic rock anthems ‘Hot Cherie’. Due to limited time, I could have done without keyboard, drum and guitar solos. That said they were still pretty good (7/10)

My co-conspirator is not the biggest fan of the Modern Day Tesla. Or should that be Jeff Keith. He (Jeff) has more of a whine to his vocal style these days, but I’m firmly planted with with the rest of the audience, I think they are almost as cool as they day I saw them originally (4/9/87 to be precise). Jeff Keith enters with a certain swagger. I can’t fathom if that swagger is due to a drink too many or some other reason. When he says "It’s great to be here", I don’t have any confidence he knows exactly where he is. Tesla let the songs do the talking for them. Opener ‘I Wanna Live’ fits in perfectly with Tesla’s more classic output the past 30 years, and Rude and Hannon complement each other, with Lucketta and Wheat pounding the band forward. A little book appeared for Keith for the 2 new songs ‘MP3’ and ‘Ricochet’. ‘MP3’ has a real dirty riff from Hannon, and both songs show a potential fruitful relationship ahead with Frontiers. Tesla give the baying crowd more bang for their Euro with the second half of the set, with crowd singalong fave ‘What You Give’, followed by the likes of ‘Signs’, and the stand out moment for everyone, ‘Modern Day Cowboy’, which is Tesla’s must play song. The encore is short, but makes up for by playing ‘Coming Atcha Live’, an excellent way to end the inaugural day 1 of Frontiers festival. I would have preferred a couple of more songs such as ‘EZ Come’, and ‘Edisons Medicine’ but you can’t always get what you want. Despite that, everyone, me included went back to their respective hotels, extremely happy and looking forward to day two (8.5/10)

Pics Courtesy of Sam Compton

H.E.A.T Gig Review - Manchester Academy 3, Monday 19th May 2014

 

Quite a few (almost packed to the rafters) were in attendance for H.E.A.T’s last date of their UK tour at a hot and humid Manchester Academy 3. For those who witnessed H.E.A.T at Manchester a few years back (about 25 people all told), then a packed academy shows (and knows) how far this Swedish quintet have come. Those in the audience this evening know that H.E.A.T are marked for greatness. The only question mark seems to be that it’s taking a little longer than expected. There is no doubt H.E.A.T have the fire in their bellies, and with their latest album, a set of songs that WILL take them to the next level and beyond.

It’s no surprise that tonight’s set it heavily weighted towards the last two albums, and the acquisition of Grönwall has taken H.E.A.T from being a good band, to a stellar band. Going from support band Supercharger to H.E.A.T is like the difference in sound between a wax cylinder and CD! Entering to the very appropriate "The heat is on" by Glen Frey, the Swedes set their phasers to 'stun' right from the off - Grönwall prowls the stage like a maniac - jumping, punching, hardly ever keeping still. Who says you have to mime when you're as active as this dude. ‘Point of No Return’ and ‘A Shot At Redemption’ show how far H.E.A.T have come is a short space of time with Grönwall (from Swedish Idol to bonafide Rock Idol) - both are songs that Jon Bon wished he could still write - and they become a different proposition in a live setting - totally electrifying and captivating. ‘Mannequin Show’ would have been cool had they segued into ‘Oops I did it again’ (just for a laugh of course as everyone has surely made the comparison by now!)

H.E.A.T do pay homage to their more melodic past with ‘Beg, Beg Beg’ (and a little of Zeps ‘Rock and Roll’ thrown in for good measure), alongside ‘Danger Zone’, and only ‘Late Night Lady’ from the debut / Leckremo era.

Grönwall proves he’s a dab hand with the guitar also, playing acoustic for the first part of ‘Tearing Down The Walls’. Since H.E.A.T have dropped down to the one guitar, Erik Rivers seems to have grown and is enjoying the limelight. His playing is fluid and compelling, and the ladies present certainly seem enamoured!

Support band Supercharger snuck up on H.E.A.T mid ‘Downtown’, half naked and serving drinks to the boys, and from here on the set (after being nothing short of perfect) took it up another notch - probably because it was the finale of their tour, so everything was timed to perfection for this Manchester crowd.

As it was the final night, Supercharger joined them for Roxette's 'You Got The Look', and both bands completely looked as if they were having fun even if it was slightly 'winged'. ‘Breaking The Silence’ and ‘Living On The Run’ finished the set, 20+ songs in total, and made this gig a truly memorable one for those who attended.

H.E.A.T truly deserve to be playing bigger and better venues, and at this rate it isn’t long in coming. Utterly fantastic! 

Pictures courtesy of Jeff Price