About Me

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Born in the late 60's, Chesy hails from a Welsh mining village with a long name and was pretty glad when he got the Hell out of there. He got into Rock/Metal in about 1980, thanks to a TISWAS related incident (Rainbow video for All Night Long) and thankfully has never looked back. Chesy often sang solo in the school choir, but thanks to a puberty related incident his voice is now completely bolloxed, although in his own head Paul thinks he sounds like a blend of Coverdale and Dio (R.I.P). He was brought up on the classics - Deep Purple, Rainbow, Thin Lizzy, Rush, Whitesnake and loved melodic rock and the Hair Bands of the 80's. (Nowadays, he has progressed a little and prefers a more technical and/or progressive metal - Dream Theater, Rush, Symphony X, Porcupine Tree, Pain Of Salvation, Spock's Beard. He hates Black and Death Metal (can't stand the grunting) but for some unknown reason loves the magnificent Opeth! He wont stop this blog until his beloved FM finally play the likes of the NEC as a headlining act!!!

Sunday, 20 November 2022

Live Review - Sweet Crisis with support from Electric Black at The Eagle Inn, Salford, Nov 19th 2022

 Sweet Crisis with ~support from Electric Black, The Eagle Inn, Manchester, November 19th 2022


It was a bit of fun finding a parking space close to The Eagle. The reason? It shits in the shade of the mighty AO arena. It just so happened that there was a gig on tonight with N-Dubz providing the entertainment. I would like to think though that those in the know were descending upon The Eagle Inn to see what would be (as it turned out to be) one of my favourite gigs (and venue) of this year.


Where the AO has a capacity of 21,000, The Eagle Inn has just 80. The 30-40 that did show, got one hell of a gig to tell their friends about. I was already in the know as I got to hear both do a quick sound check and couldn’t wait for the gig to get underway




Firstly we have Electric Black. Coming all the way from Hitchin for a 45 min set takes some doing, but these guys wouldn’t like it any other way. Opening with a working title of ‘Led Hendrix’, it really was a song born from the annals and foundations of rock history, and in singer Ali they have a guy who can sing ANYTHING. This was highlighted on the excellent ‘Love Is A Light For The Lost’. Also Electric Black have their ‘go to killer moment’ with ‘Homecoming', a song that is their own ‘Heaven and Hell’ and ‘Holy Diver’ all rolled into one. Finishing up with ‘Not Afraid To Die’ it is the heaviest song on the album and absolutely is the cream on an already excellent set. Electric Black have been doing this for some time and was evident as they were as tight as a nut. From the mayhem of Animal influenced drummer Matt, and the playing in the pocket of bassist Ryan, to the superb Jonny on lead guitar, Electric Black are going places. If I’d have known they played my nearest venue last week I’d have been there. I am a week late, but the end result is now the same. Catch these guys if you can, as you will not be disappointed. I guarantee it.



Onto headliners Sweet Crisis. I absolutely love it when you see or hear a band the first time and your breath is taken away. Just like EB, my moment was getting ho hear Sweet Crisis debut a few months back. It was a case of being better late than never, but I was blown away by their collection of songs on ‘Tricks Of My Mind’. The band is built on the friendship of singer Leo Robarts and guitarist Piers Mortimer, but more of that later. Opening with ‘Loosen Up’ the quality is immediately there for people to see. Leo is part Paul Rodgers, Glenn Hughes and Steve Marriott, and that is some amalgamation of talent right there, with his best mate at his side these guys are unstoppable. ‘Black Magic’ has some nice 3 part harmonies and is the first highlight of many. 


For ‘Love Me Like Sugar’ if B.B.King and Paul Rodgers (OK, bear with me) had a love child then ‘LMLS’ is the end result. ‘Aint Got Soul’ is one of my favourite songs from their album and hearing it live took it to another dimension, never mind new level. Theres a back story behind ‘I'll Be Creepin’. Leo was into Eminem and Jamiroquai when is dad gave him a copy of Free’s 'Fire and Water' when he was 14. (Yay for dads!) Right there a spark was ignited, which changed young Leo’s life and has never looked back. Leo isn’t keen on covers, but let’s face it, when you have a voice like he has, then it makes for one of the best covers you will hear of a Free classic. Hot of the press was a new song, ‘The Warning’ and it was smooth as fuck (insert better simile here____).

This next song was my favourite of the whole set. Written when Leo and Piers were just 17, it proves that age is no barrier when writing songs. Leo becomes a baptist preacher, and its a quality of song that many a Southern Rock/Nashville band would crawl over their dead granny to get hold of. It was stunning live. ‘Dont Start Now’ was pure blues heaven, and was the shit. At the and of the song one bloke shouted “Fuck yes!” It shows that you can write a review in just two words. I couldn’t have put it better myself. ‘Living “Life On The Edge” had then jamming on a powerful groove and takes me back to the era of bands like Cream and Jefferson Airplane. SC finished strong with the title track ‘Tricks On My Mind’, and a powerful single from 2020 in ‘Rolling In It’. 


It’s hard to vacate the stage for an encore when it is the size of a postage stamp, so they stayed put. Sweet Crisis will probably drop the covers as their song list gets bigger, but when you cover Fleetwood Mac’s ‘Oh Well’ as well as they do, then its good to throw in a crowd pleaser for us old farts. The guys finished off with a song that got them started and recognised back in 2019, ‘Misty Haze’. I know it’s me repeating myself but this has blues and soul in abundance, and echoes Pink Floyd and Jeff Buckley. The guitar tone was beautiful. What a song to end a gig with. 


Theres a tendency for bands to play their whole album in the early days of their gigs. That may be the case here, but Sweet Crisis have a foundation of stunning songs already that will be a staple of their live gigs for years to come. 


I have witnessed some great fledgling bands this last 12 months since gigs have opened up again - Cardinal Black, The Karma Effect, and now Electric Black and Sweet Crisis. Add the likes of Scarlet Rebels and Florence Black into this mix and British rock music is in very safe hands indeed.


Based on tonights performances I hope that they both continue to record and gig as they both deserve to be heard by much bigger audiences than current. The numbers did not detract, in fact it enhanced it as it felt like a gig in your own living room. We can all say that when they do make it, we were there almost from the beginning. I can’t wait to see what Sweet Crisis (and Electric Black) do next.


Sweet Crisis Set List -

Loosen Up 

One Way Traffic

Black Magic

Haunted

Love Me Like Sugar

Ain’t Got Soul

Great Big Steps

This Guitar

I’ll Be Creepin’ 

The Warning

Treading In Deep Water

Don’t Start Now

Living Life On The Edge

Tricks On My Mind

Rolling In It


In The Dark

Oh Well

Misty Haze


Sunday, 13 November 2022

Kira Mac - 'Chaos Is Calling' Album review

 

Kira Mac - Chaos Is Calling


Review by Paul Chesworth


Every now and again YouTube throws me a bone to a band `I’ve not encountered before. OK, to give them credit, it does it quite often, but I have a short attention span. Im not a kid where it has to grab me by the bollox in the first 10 seconds, I’ll give it a listen at least until I get to a chorus.


I can’t tell you what I was listening to in the first place, but Kira Mac appeared and it was an occasion whereby I my bollox were well and truly grabbed (so to speak). I will tell you why shortly.

Any who, Kira Mac are making little gains that seem to be gathering momentum - 

  • Steelhouse created a spot for them
  • BBC Radio 2 play
  • Rock n Blues appearance
  • 17k organic vires on YouTube in 6 months
  • 25k streams on Spotify in 6 month
  • Playlist on Planet Rock for all 4 singles


I am 100% certain that all of this achievement will be well and truly eclipsed 6, or 12 months from today. I am that convinced, Ive put a reminder in my calendar to check out the stats!!


Kira Mac are mainly based in and around the North of the UK. Vocalist and reason for the band name Kira Mack along with guitarist Alex Novakovic and bassist Bret Barnes all hailing from Manchester. Joe Worrall (guitar) is from Hull, and new drummer (and doesn’t appear on the album Max Rhead is from Newport. 


Firstly Kira Mac is an unsigned band. This can be for a couple of reasons. Is it because labels won’t entertain anyone unless they have one million straws on Spotify, or is it because it is feasibly possible that an unsigned band can be profitable without the support of a label of any size. If one of my favourite bands (Dirty Honey) can do it, so can Kira Mac.




Right from the off you can tell that Kira Mac have been plying their trade for some time. I really have a soft spot for female vocalists - Leigh Matty, Pat Benatar, Ann Wilson, and the one I want to make particular reference to is one Dorothy Martin. 'One Way Ticket’ is Dorothy. I just wish everyone knew about Dorothy as they are bloody brilliant. So to compare Kira to Dorothy is very high praise indeed. Searing guitars? Check. Sumptuous chorus. Check. Instantly singable. Check. What a start! ‘Hit Me Again’ is in similar vein, and ‘Chaos Is Calling’ has a bone crunching riff that heavier bands whose band logos I can never read would crawl across broken glass for. It still has melody in spades. 



‘Back For More’ (not that one) is a song that’s bluesier and still pushes the right buttons. You would swear that these guys are American. ‘Mississippi Swinging’ is without doubt joint best song on the album. With an opening line like ‘Mississippi swinging got a whiskey sipping honey on my left hand’ you know it's going to be a belter. It's a song whereby if you heard this in a pub, you’d stop drinking and start had banging. The other two highlights being ‘Hell Fire Holy Water’ and massive closer, ‘Dead Man Walking’. It's almost as if Kira Mac have a random song title generator. ‘HFHW’ will go gown a storm live as a singalong moment (I guarantee it), and ‘DMW’ is the song that started it for me. Its based on a massive chunky riff, Kira Macs vibrato vocal styling and tasty guitar solo. “Downfall’ ups the ‘heavy’ to 11 and ‘Never Going to Stay’ is the king to Downfalls yang. ‘Never…’ definitely has a Nashville country influence and is probably the most mainstream sounding song on the album




What Kira Mac have delivered is extraordinary. It is ten songs of pure quality, that after one listen will make you ride that rollercoaster and pay to take the ride again and again. Its not perfect, but it is 35 minutes of absolute enjoyment. I really think that Kira Mac deserve to be going places. The debut album is out at the ned of this week (18th November), and a UK tour follows hot on the heels, starting in Edinburgh two days later (20th November)


9/10


Tracklisting - 

One Way Ticket

Hit Me Again

Chaos Is Calling

Back For More

Imagine What Could’ve Been

Mississippi Swinging

Hell Fire Holy Water

Downfall

Never Going To Stay

Dead Man Walking


Album Line Up

Joe Worrall - Guitar

Alex Novakovic - Guitar

Bret Barnes - Bass

Cal Casey - Drums

Kira Mac - Vocals



https://www.facebook.com/kiramacmusic/

http://www.kiramac.com/

https://twitter.com/kiramacband






Saturday, 18 June 2022

Sweet Crisis - 'Tricks On My Mind' review

 



Sweet Crisis - Tricks On My Mind


I like a good natter with people, both online and in person, especially if said natter is about music. I was friended on instagram by a nice bloke who works with touring bands doing Merch and set up. He suggested I give Sweet Crisis a listen. They was weeks ago so I apologise for the delay. 


The bumf that come with the link states that Sweet Crisis seek to balance all their inclinations and influences - like Free and Lenny Kravitz, nothing is off the table if music sounds right. Their key influences run through their debut album like a stick of Blackpool rock. There is everything from Fleetwood Mac to Pink Floyd, and The Rolling Stones to The Verve. Thats your appetites well and truly whetted then. 


For the lover of upbeat rock, there is the opener ‘Loosen Up', 'One Way Traffic', and 'Living Life On The Edge' (which has some cracking guitar playing courtesy of Piers Mortimer, and it is wonderfully trippy and exhilarating all in one song. The title track, 'Tricks On My Mind' is snappy and punchy and delivers in spades and reminds me a bit of Rival Sons


For blues rock aficionados there is a magnificent 'Love Me Like Sugar' (my fave track along with ‘Living…’; 'Misty Haze' (great name for a porn star), and is an equally great song; 'This Guitar', and 'Black Magic'. 


Whilst it's not bluesy or rock, there is also the enticing and somewhat mesmerising ‘Ain’t Got Soul’, which I feel should be a darling of the airwaves on Radio 2 if it isn’t already. 


As debuts go, 'Tricks On My Mind' is a little belter. In a saturated market where blues rock seems to be the go to music of choice, I think that Sweet Crisis have enough diversity, quality and wide ranging influence in their armoury to rise above the majority.




The best compliment I can give about Sweet Crisis and 'Tricks On My Mind' is that if these guys had a time machine, you could drop this album into most decades from the 1960s up until the present day and it would fit in neatly like peas in a pod.


8/10


Tracks -


Loosen Up

One Way Traffic

Ain’t Got Soul

This Guitar

Karma Will Come

Tricks On My Mind

Misty Haze

Black Magic

Love Me Like Sugar

Living On The Edge