FM – Indiscreet
I’ve
taken a revised tune on this, as my I-30 album arrived yesterday and it sounds
volumes better on CD than a streamed version. Because of a few knob heads, the ‘many’
have to put up with streamed versions of an artistes blood, sweat and tears to
review!
Thirty years have passed (yes, you heard me, THIRTY!)
since FM released their most beloved (and debut) album Indiscreet. Apparently
they have been asked many times in the past about re-recording their classic
album, and that day is now here. From my very early days in seeing them on the
'Tough It Out' tour, I have always said that some of these songs sound under-produced,
especially when some of the live versions had a certain amount of ‘welly’ to
them especially as it lacked some of the ‘punch’ that was being achieved on
albums coming from the other side of the Atlantic.
So I stepped forward with little bit of (dreaded?)
anticipation of what they have done. Why mess with their definitive album? Well,
for one, modern techniques should put the expansive sound in, and it’s also
quite cheap to re-record what FM would have spent a small fortune on with
Portrait back in 86. FM have been playing most of this album live for the last
30 years, so the recording should be a relatively easy and the songs well worn
in.
Apparently the seed was sown whilst
recording the follow up to Heroes & Villains, where they decided to put
down a backing track to ‘That Girl’ to see how it would sound with the apparent
huge sounds they were achieving. It gave the song a new dynamic that was not
possible in the 80s. This is what has led them to give these classic songs a
new lease of life. Thankfully, FM themselves realize that they cant just
re-create the original which is sacred in many of the eyes and ears of their
faithful fans. Basically, it’s the 2016 FM (still brilliant) with the sound capability
of 2016.
You’ll be please to know that Merv didn’t
dig out the DeLorean and reclaim his Alec Guinness ‘white suit’ from the That
Girl video, or pink (!) jump suit, and thankfully, Steve and Pete shaved off
their mullets a few years back.
2016 paints a different picture. The line
up is now very well established with Jim Kirkpatrick on guitar, who has given
FM a fresh new injection of energy, and, youthfulness to the FM repertoire.
However, I personally think that none of this would not be at all possible if
it weren’t for one thing – that ‘thing’ being Steve Overland’s voice. It’s as
good today as it was back in the mid 80s when I heard Wildlife. Very few
singers still have ‘the voice’ they had 30 years ago, but SO is one of them.
After just one quick listen, nothing much
has been changed, subtle differences, the odd slight intro difference, but
mainly the solos, bridges and general excellence of Indiscreet have remained on
‘I-30’. ‘That Girl’ is a classic, both
then and now. Where the original lacked some polish, the new version has been
polished to within an inch of its like, sounding full and vibrant. , ‘Love Lies
Dying’ has a new added guitar solo, and only ‘Hot Wired’ fell a little short
for me. The ‘reasons to buy’ column for me come in the shape of ‘The Other Side
Of Midnight’, which is punchy and polished and a proper kick in the nuts,
‘American Girls’, a song that should have catapulted them to the US market is
fresh as a daisy, and ‘I Belong To The Night’ has some added depth and bass.
Also the last three – ‘Face To Face’, ‘Frozen Heart’ and ‘Heart Of The Matter’
further add weight to the whole concept. The changes are small, there some
added nuances in Jim Kirkpatrick’s guitar playing, and some of the vocals, but
not too much that you can really notice. Subtlety is good!
Seven bonus tracks round out ‘I-30’, and the
‘biggie’ and real bonus for me is a song that never made it onto Indiscreet,
but is of that era, and they have pulled out an absolutely storming version of
‘Let Love Be The Leader’. Also FM have recorded a brand new song for this, and
that is ‘Running On Empty’ a now typical 21st century FM type song,
an upbeat and all round feel good track that FM fans will lap up. ‘Shot In The
Dark’ is the song that made its way to Ozzy via Phil Soussan (and he no doubt made
a shit-load on the back of it) and this gives a feel for the alternate (but
equally enthralling) FM version had it have been recorded in this style at the
time. The final track ‘That Girl’ (Acoustic) is one of the best covers they
have ever done, very soulful and is a personal fave of closet FM fan, Mrs.
Chesworth.
There may be a few ‘naysayers’ proclaiming
that FM shouldn’t have re-done it, but I for one am very happy, as some of
these songs sound fresh and lively as they did when I first heard them on
cassette, only now with added ‘oomph ‘ where it belongs.
Indiscreet 30 isn’t pointless. The songs
have been given the love, care and attention they deserve with a more ‘modern’
sound and twist, and ‘I30’ sits perfectly as a companion piece to the original.
I can’t give it more praise than that.
What started out as trepidation and
caution, ended in praise and jubilation.
9/10
FM
Steve Overland – Lead Vocals, Rhythm Guitar
Merv Goldsworthy – Bass, Backing Vocals
Pete Jupp – Drums, Backing Vocals
Jem Davis – Keyboards
Jim Kirkpatrick – Lead Guitar, Backing
Vocals
Tracklisting
That Girl
Other Side Of Midnight
Love Lies Dying
I Belong To The Night
American Girls
Hot Wired
Face To Face
Frozen Heart
Heart Of The Matter
(Bonus tracks)
Let Love Be The leader
Running On Empty
Rainbow’s End
Shot In The Dark
Bad That’s Good In You
Love And Hate
That Girl (Acoustic Version)
No comments:
Post a Comment
Note: only a member of this blog may post a comment.