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Born in the late 60's, Chesy hails from a Welsh mining village with a long name and was pretty glad when he got the Hell out of there. He got into Rock/Metal in about 1980, thanks to a TISWAS related incident (Rainbow video for All Night Long) and thankfully has never looked back. Chesy often sang solo in the school choir, but thanks to a puberty related incident his voice is now completely bolloxed, although in his own head Paul thinks he sounds like a blend of Coverdale and Dio (R.I.P). He was brought up on the classics - Deep Purple, Rainbow, Thin Lizzy, Rush, Whitesnake and loved melodic rock and the Hair Bands of the 80's. (Nowadays, he has progressed a little and prefers a more technical and/or progressive metal - Dream Theater, Rush, Symphony X, Porcupine Tree, Pain Of Salvation, Spock's Beard. He hates Black and Death Metal (can't stand the grunting) but for some unknown reason loves the magnificent Opeth! He wont stop this blog until his beloved FM finally play the likes of the NEC as a headlining act!!!

Sunday 8 January 2017

Jack Russell's Great White - 'He Saw It Comin'' Review

January sees Frontiers release albums from two of the 1980s stalwarts rock vocalists. First up is Jack Russell with his version of Great White. I have to admit that most of the time, any version of a split band will see me go for the singers version as that’s where a lot of the iconic sounds emanate from. One exception to the rule is Queensryche – where I’m on the side of the Todd version.

In December 2011, Jack Russell’s Great White first bared its teeth. Since its inception, the front man welcomed back longtime bassist and friend Tony Montana—this time as a guitar player and keyboardist—lead guitarist Robby Lochner, and drummer Dicki Fliszar. Now, this group has a sharp, soaring and slick new album ready, boasting the bluesy Hard Rock stomp that made Russell and Montana icons in the first place.

“It’s a powerful band,” Russell proclaims. “The music comes across very dynamically. It’s what I always wanted it to be. Tony was a catalyst for moving forward. I was never as close to him as I am now. We never had the opportunity to write music together before. I also never knew he played guitar. When I first heard him, I nearly fell of my chair. He’s my copilot. He’s one of my best friends. I wish we would’ve been this close back in the day.”

“It’s natural for all of us,” adds Montana. “There’s a solid chemistry, and we’re having a lot of fun.” “We want the new material to blow people’s ears back,” Russell goes on. “It has the elements of the best Great White music ever written, but there’s an edge. Tony brings that validity, while Robby, Dan and Dicki add a new life. It’s going to surprise people.”
Montana agrees, “It’s got the classic sound. The first element is Jack’s voice. No other band sounds like this one ever did or does now.

I would love to say that HSIC is up there with their 80’s heyday albums, I don’t even think its up there with the albums they released in the 90s – and they were not the greatest.

To be honest, listening to the opening track ‘Sign Of The Times’, it took me straight back to the 80s. Russell sounds no different as he did back then, even if he looks nothing like he did back then! It’s the only song that’s decent enough to grace the Great White name and legacy. It is a cracking tour de force with a riff that’s oh so simple but oh so effective. In fact its more Dokken than Great White, but I aint complaining.

After such a crunching opener, they take their foot off the gas with the low key ‘She Moves Me’. I was wanting, wishing,  even hoping another song that would hit me right between the eyes (and ears), and we get this subdued, mid paced number. The pace is picked up  a bit with ‘Crazy’ a cross between DLR era Skyscraper and Great White. But the good stuff ends here. ‘Love Don’t Live Here’ is a ‘go through the motions’, music by numbers song. I almost hate myself for writing this as there’s few positives to be gleaned from this. (and I love 80s Great White)
‘My Addiction’ lacks any real substance. I suppose it is a subject very close to Jack Russell and deserves kudos for writing about it. The man has been through more in 56 years than most have to endure in 10 lifetimes. ‘He Saw It Coming’ is the second highlight here. A good song that takes snippets of Queen, Styx and Lieber/Stoller’s ‘Trouble’, and has some decent harmonies and is well structured and is a sprinkle of stardust amongst some garbage.

From here to the end its not so much as the wheels have fallen off, its more like the car has been impounded, crushed into a small cube, and then set fire to….and to make matters worse, the radio still works, just like Christine! There’s not a lot to say about the remaining four songs as they are just standard fodder that will generally be listened to once, then confined to the bin on your fruit based, or robot based listening device.

Two good songs out of eleven just isn’t a good enough return. I don’t know if Frontiers have any quality control over the bands he is putting out, but this one certainly didn’t get any additional input.

On the plus side, theres ‘Sign Of The Times’, ‘He Saw It Coming’, and Jack Russell’s still got a decent set of pipes.

The negatives are some bland songs that just plod along and offer no great vehicle for Jacks voice to shine. Its probably the poorest Frontiers release in quite some time.

Now, lets see if Stephen Pearcy fares any better…..

Score 45/100

Jack Russell’s Great White –

Jack Russell – Vocals
Tony Montana – Guitar, Keys
Robby Lochner – Guitar
Dan McNay – Bass
Dicki Fliszar – Drums

Tracklisting –
Sign Of The Times
She Moves Me
Love Don’t Live Here
My Addiction
Anything For You
He Saw It Coming
Don’t Let Me Go
Spy vs Spy
Blame It On The Night

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