January sees Frontiers release albums from
two of the 1980s stalwarts rock vocalists. First up is Jack Russell with his
version of Great White. I have to admit that most of the time, any version of a
split band will see me go for the singers version as that’s where a lot of the
iconic sounds emanate from. One exception to the rule is Queensryche – where
I’m on the side of the Todd version.
In December 2011,
Jack Russell’s Great White first bared its teeth. Since its inception, the
front man welcomed back longtime bassist and friend Tony Montana—this time as a
guitar player and keyboardist—lead guitarist Robby Lochner, and drummer Dicki
Fliszar. Now, this group has a sharp, soaring and slick new album ready, boasting
the bluesy Hard Rock stomp that made Russell and Montana icons in the first
place.
“It’s a powerful band,” Russell proclaims. “The music comes across very dynamically. It’s what I always wanted it to be. Tony was a catalyst for moving forward. I was never as close to him as I am now. We never had the opportunity to write music together before. I also never knew he played guitar. When I first heard him, I nearly fell of my chair. He’s my copilot. He’s one of my best friends. I wish we would’ve been this close back in the day.”
“It’s natural for all of us,” adds Montana. “There’s a solid chemistry, and we’re having a lot of fun.” “We want the new material to blow people’s ears back,” Russell goes on. “It has the elements of the best Great White music ever written, but there’s an edge. Tony brings that validity, while Robby, Dan and Dicki add a new life. It’s going to surprise people.”
Montana agrees, “It’s got the classic sound. The first element is Jack’s voice. No other band sounds like this one ever did or does now.
“It’s a powerful band,” Russell proclaims. “The music comes across very dynamically. It’s what I always wanted it to be. Tony was a catalyst for moving forward. I was never as close to him as I am now. We never had the opportunity to write music together before. I also never knew he played guitar. When I first heard him, I nearly fell of my chair. He’s my copilot. He’s one of my best friends. I wish we would’ve been this close back in the day.”
“It’s natural for all of us,” adds Montana. “There’s a solid chemistry, and we’re having a lot of fun.” “We want the new material to blow people’s ears back,” Russell goes on. “It has the elements of the best Great White music ever written, but there’s an edge. Tony brings that validity, while Robby, Dan and Dicki add a new life. It’s going to surprise people.”
Montana agrees, “It’s got the classic sound. The first element is Jack’s voice. No other band sounds like this one ever did or does now.
I would love to say
that HSIC is up there with their 80’s heyday albums, I don’t even think its up
there with the albums they released in the 90s – and they were not the
greatest.
To be honest,
listening to the opening track ‘Sign Of The Times’, it took me straight back to
the 80s. Russell sounds no different as he did back then, even if he looks
nothing like he did back then! It’s the only song that’s decent enough to grace
the Great White name and legacy. It is a cracking tour de force with a riff
that’s oh so simple but oh so effective. In fact its more Dokken than Great
White, but I aint complaining.
After such a
crunching opener, they take their foot off the gas with the low key ‘She Moves
Me’. I was wanting, wishing, even hoping
another song that would hit me right between the eyes (and ears), and we get
this subdued, mid paced number. The pace is picked up a bit with ‘Crazy’ a cross between DLR era
Skyscraper and Great White. But the good stuff ends here. ‘Love Don’t Live
Here’ is a ‘go through the motions’, music by numbers song. I almost hate
myself for writing this as there’s few positives to be gleaned from this. (and
I love 80s Great White)
‘My Addiction’ lacks any real substance. I
suppose it is a subject very close to Jack Russell and deserves kudos for
writing about it. The man has been through more in 56 years than most have to
endure in 10 lifetimes. ‘He Saw It Coming’ is the second highlight here. A good
song that takes snippets of Queen, Styx and Lieber/Stoller’s ‘Trouble’, and has
some decent harmonies and is well structured and is a sprinkle of stardust
amongst some garbage.
From here to the end its
not so much as the wheels have fallen off, its more like the car has been
impounded, crushed into a small cube, and then set fire to….and to make matters
worse, the radio still works, just like Christine! There’s not a lot to say
about the remaining four songs as they are just standard fodder that will
generally be listened to once, then confined to the bin on your fruit based, or
robot based listening device.
Two good songs out of eleven just isn’t a
good enough return. I don’t know if Frontiers have any quality control over the
bands he is putting out, but this one certainly didn’t get any additional input.
On the plus side, theres ‘Sign Of The Times’,
‘He Saw It Coming’, and Jack Russell’s still got a decent set of pipes.
The negatives are some bland songs that
just plod along and offer no great vehicle for Jacks voice to shine. Its probably the poorest Frontiers release in quite some time.
Now, lets see if Stephen Pearcy fares any
better…..
Score 45/100
Jack Russell’s Great White –
Jack Russell – Vocals
Tony Montana – Guitar, Keys
Robby Lochner – Guitar
Dan McNay – Bass
Dicki Fliszar – Drums
Tracklisting –
Sign Of The Times
She Moves Me
Crazy
Love Don’t Live Here
My Addiction
Anything For You
He Saw It Coming
Don’t Let Me Go
Spy vs Spy
Blame It On The Night
Godspeed
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