- Born in the late 60's, Chesy hails from a Welsh mining village with a long name and was pretty glad when he got the Hell out of there. He got into Rock/Metal in about 1980, thanks to a TISWAS related incident (Rainbow video for All Night Long) and thankfully has never looked back. Chesy often sang solo in the school choir, but thanks to a puberty related incident his voice is now completely bolloxed, although in his own head Paul thinks he sounds like a blend of Coverdale and Dio (R.I.P). He was brought up on the classics - Deep Purple, Rainbow, Thin Lizzy, Rush, Whitesnake and loved melodic rock and the Hair Bands of the 80's. (Nowadays, he has progressed a little and prefers a more technical and/or progressive metal - Dream Theater, Rush, Symphony X, Porcupine Tree, Pain Of Salvation, Spock's Beard. He hates Black and Death Metal (can't stand the grunting) but for some unknown reason loves the magnificent Opeth! He wont stop this blog until his beloved FM finally play the likes of the NEC as a headlining act!!!
Wednesday, 23 May 2018
Ghost - 'Prequelle' Album Review
Ghost – Prequelle
Fans have come along for the ride for years, not knowing for certain who was behind the anonymous band… that is, until Tobias Forge recently revealed himself as the man behind Ghost. Each album is more like a film release than a record release. In addition to serving as director, Forge conceives the role of every character, and oversees everything from the screenplay to video to wardrobe design to artwork to cinematography to soundtrack.
For a brief Ghost 101 – Papa Emeritus I was singer on the first album. Papa II on Infintessimum, and Papa III on Meliora. Papa Emeritus Nil or Zero is the father of Papa’s II and III. II & III are brothers born three months apart! Papa Nil is considered too old for fronting Ghost, so in comes Cardinal Copia, who is an apprentice who needs to learn from the master, with a view to becoming Papa Emeritus IV and is vocalist for Prequelle.
Lyrically, Prequelle delves into the plague, the apocalypse, and dark ages.
Now, back at the beginning I thought that Ghost were a gimmick band (Think Kiss, only in robes and slightly less make up). I dismissed tham at my peril. I didn’t even want to know what they sounded like, as to me, it all looked shite. I would have closed the curtains had they been playing in my back yard (etc,.). Until last year…
I caught them on the ‘Meliora’ tour and was completely blown away, with their blend of metal riffs and a definite knack for melody, almost bordering on mainstream. So I went out and bought all the albums within days, on vinyl of course. I fully emersed myself in the history and wonderfulness that is Ghost.
On to ‘Prequelle’, and just like old school, we get an intro based on the plague, with “Ashes’, or as we Brits call it, ‘Ring a ring o roses’, before expanding into what becomes the unbelievably sing-a-long-a-tastic ‘Rats’. If anyone can make a poetic and infectious song about vermin, its Ghost. In fact, I cant tell the difference between Papa II and Copia. (That’s because they are all the same, dumbass!) Rats is based on 80s hair metal riffs, with the melody of J-pop! ‘Faith’ is old-metal neo-classical riffage, with their trade mark chugging riff overlaid, and is the heaviest song on the album with some great harmonies – its probably the only song on ‘Prequelle’ that references their past. It ends with a choral passage leading into ‘See The Light’ and is gonna be a big hit for Ghost. The verse and chorus are opposites light and shade, with a delicate piano being the light, and powerful darkness of the chorus.
‘Miasma’ is a bit of a strange beast in todays World, an instrumental from a bygone age of the 70s and 80s when albums used to be full of the buggers. I always thought instrumentals were a lazy option, but in this instance, guitars, retro keyboard synth and even a saxaphone at the end all come to play their part, and it is glorious. ‘Dance Macabre’ is an old school rocker that would have blitzed the Billboard charts back in the day and is different to anything that Ghost have perviously given us, its something like Abba could have written back in the day, and is absolutely massive. ‘Pro Memoria’ starts as if it were a soundtrack piece, or written for a musical not to dissimilar from Jeff Wayne, and is like a old 70s prog song full of storytelling. Different, but in a great way. ‘Witch Image’s’ opening riff is just like klassik Kiss, and is catchy as Hell, with the keyboard and guitar riff interplaying with the melodic verse and chorus to great effect.
When you think one instrumental is one too many, then we get a second one. ‘Helvetesfonster’ is part X-Files intro, part Jethro Tull, and Ayreon, which is folky, earthy and just feels as if there are lyrics itching to reveal themselves, and for a 51 year old, brought up on shit like like this, is manna from Heaven. Its quickly onto the final song, ‘Life Eternal’, a more melancholic song for them and it proves to be a fitting end to this strange, different and beautiful album.
All the old elements are there from Ghosts past, but I think that this is an album that could get them even wider appeal as the songs of offer could, and should cross borders and open them up to a whole new audience. Its rock, metal, pop, prog, soundtrack and Broadway/West End musical running all they way through the veins, which is all down to the huge talent that is Tobias Forge.
Ghost have announced their fourth sacred psalm Prequelle (pronounced prē-KWELL) will be released on June 1, 2018 via Spinefarm/Loma Vista Recordings. Limited edition bundles including 8-Tracks, Casettes and more are available exclusively in the Ghost shop HERE.
See The Light