- Born in the late 60's, Chesy hails from a Welsh mining village with a long name and was pretty glad when he got the Hell out of there. He got into Rock/Metal in about 1980, thanks to a TISWAS related incident (Rainbow video for All Night Long) and thankfully has never looked back. Chesy often sang solo in the school choir, but thanks to a puberty related incident his voice is now completely bolloxed, although in his own head Paul thinks he sounds like a blend of Coverdale and Dio (R.I.P). He was brought up on the classics - Deep Purple, Rainbow, Thin Lizzy, Rush, Whitesnake and loved melodic rock and the Hair Bands of the 80's. (Nowadays, he has progressed a little and prefers a more technical and/or progressive metal - Dream Theater, Rush, Symphony X, Porcupine Tree, Pain Of Salvation, Spock's Beard. He hates Black and Death Metal (can't stand the grunting) but for some unknown reason loves the magnificent Opeth! He wont stop this blog until his beloved FM finally play the likes of the NEC as a headlining act!!!
Sunday, 11 August 2019
Glasya - 'Heaven's Demise' Album Review
Glasya - Heaven’s Demise
Glasya are a symphonic metal band that hail from Portugal and are the brainchild of guitarist and founding member Hugo Esteves who wanted to bring a dramatic dynamic to the symphonic metal scene. Hugo has recruited a selection of highly talented musicians and a singer with a voice to die for.As the finished article the band Glasya appear to be the new kids on the block in the symphonic metal scene however they are the exact opposite as the majority of members of this ensemble cast are already stalwarts of this genre.
Heaven’s Demise has been on constant repeat for the last couple of days and I really enjoyed the album , the lyrical content and composition are fantastic and the production is sublime. The problem with symphonic metal and it’s something that affects the genre as a whole is that once you dissect the songs a pattern emerges, the long intro which ends with either a fist thumping rock/metal sound, a short monologue or Eduarda’s soaring vocals, whilst the three styles sound fantastic and thanks to superb composition the transition between styles is flawless it’s a sound that I’ve heard many times before, Glasya do leave some of the established bands in their wake which is a great achievement especially when some of those bands have been part of this genre for close to two decades.
Hugo stated that he wanted to bring a new dramatic dynamic to the sound sadly it’s not new and bands such as Within Temptation and Leaves Eyes have been successfully utilising this sound for quite some time. I was hoping to hear a sound that would really make me prick up my ears but sadly this wasn’t the case. That being said I’m not the type of person who will mark an album down just because there a similarities to other bands of this genre.
Even though Glasya are a band who’s members have been part of this genre for quite some time 'Heaven’s Demise' is still their debut album and it is a cracker. I do like this album, however it’s not a CD that I would make a midnight trip to HMV to pick up.
Will I put my money where my mouth is and buy this CD? The answer is yes but it will be a while before I do so. I’m giving 'Heaven’s Demise' a solid 8/10 score, it would have been a 9, however the dramatic dynamic I was hoping to hear was nothing I hadn’t heard before.
Review by Hollywood Vampyre
Coronation Of A Beggar
Birth Of An Angel
The Last Dying Sun
No Exit From Yourself
A Thought Of You
Eduarda Soeiro – Vocals
Dave Van Dave – Keyboards
Hugo Esteves – Guitars
Bruno Prates – Guitars
Manuel Pinto – Bass
Bruno Ramos - Drums.
FACEBOOK - https://www.facebook.com/GlasyaOfficial/