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Born in the late 60's, Chesy hails from a Welsh mining village with a long name and was pretty glad when he got the Hell out of there. He got into Rock/Metal in about 1980, thanks to a TISWAS related incident (Rainbow video for All Night Long) and thankfully has never looked back. Chesy often sang solo in the school choir, but thanks to a puberty related incident his voice is now completely bolloxed, although in his own head Paul thinks he sounds like a blend of Coverdale and Dio (R.I.P). He was brought up on the classics - Deep Purple, Rainbow, Thin Lizzy, Rush, Whitesnake and loved melodic rock and the Hair Bands of the 80's. (Nowadays, he has progressed a little and prefers a more technical and/or progressive metal - Dream Theater, Rush, Symphony X, Porcupine Tree, Pain Of Salvation, Spock's Beard. He hates Black and Death Metal (can't stand the grunting) but for some unknown reason loves the magnificent Opeth! He wont stop this blog until his beloved FM finally play the likes of the NEC as a headlining act!!!

Saturday 21 September 2013

Arc Angel - Harlequins Of Light

Following a chance meeting with Paul on a Welsh mountain top;  cold and wet but certainly having a good time at the Steelhouse Festival , I am pleased to submit my first album review  - Arc Angel's Harlequins of Light.

The names of Jeff Cannata and Arc Angel are both synonymous and legendary within AOR circles and Frontiers must be delighted to have them on their roster of artists. Whilst being fully aware of both names, I was not overly familiar with their work and so was able to listen to the Harlequins of Light album with open ears and no preconceptions. Having now heard it 2 or 3 times I can say this : Jeff and Arc Angel have produced an aural banquet, but have still left room for improvement.

Making the assumption that (unfortunately) we will not see Harlequins of Light in any shops, there will be no casual acquisitions and  all purchasers will have sought the album out deliberately, confident in what they are investing in by virtue of their own tastes, and knowledge of the body of Jeff Cannata's work.  Thus - no-one buying the album will be disappointed - and the opening title track immediately justifies the purchase and grasps the listener with a great hook, (although for those of us on the British Isles, Mr. Cannata's pronounciation of the H-word does seem strange. Harleykins anyone ?)

Regardless of this minor quibble - and who is to say that JC isn't right -  the whole album has been truly beautifully produced, with a great guitar sound, magical keyboard flourishes on As Far as the Eye Can See amongst other tracks, and overall we are given a sumptuous AOR soundscape. The band Jeff has surrounded himself with can truly play, but as expected he burdens himself with drum, bass, keys, guitars and all of the vocals, which makes the album's all the more remarkable. One can hear musical nods to other great bands within the pomp/melodic rock sphere - particularly the mighty Styx - and even to the 1988 Arc Angel, with a re-recording of Fortune Teller.


The album could have been even better. Jeff is a good singer, but not a great singer - and the songs could benefit from a stronger voice with a greater range - I'm thinking Danny Vaughan here. The album is also somewhat one-paced, with the pieces blending into one another rendering it difficult to distinguish one from another. This may be a deliberate attempt to make the whole album a piece in itself, but IMHO the impact is diminished. The lyrics - there's nothing truly wrong with them - but they do seem contrived. Uriah Heep do the magical, mysterious and meaningless in a more believable manner.

There is no need for a 'caveat emptor' here, as ultimately, no owner of Harlequins of Light will be left disillusioned with what they HAVE acquired, only with what they have not - the missing pieces of 'what could have been'. What could have been is a 10/10 AOR-Pomp classic, what it is is a very solid 

Hugh Braddock


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