Following
a chance meeting with Paul on a Welsh mountain top; cold and wet but
certainly having a good time at the Steelhouse Festival , I am
pleased to submit my first album review - Arc Angel's Harlequins of
Light.
The
names of Jeff Cannata and Arc Angel are both synonymous and legendary
within AOR circles and Frontiers must be delighted to have them on their
roster of artists. Whilst being fully aware of both names, I was not
overly familiar with their work and so was able to listen to the
Harlequins of Light album with open ears and no preconceptions. Having
now heard it 2 or 3 times I can say this : Jeff and
Arc Angel have produced an aural banquet, but have still left room for
improvement.
Making
the assumption that (unfortunately) we will not see Harlequins of Light
in any shops, there will be no casual acquisitions and all purchasers
will have sought the album out deliberately, confident in what they are
investing in by virtue of their own tastes, and knowledge of the body
of Jeff Cannata's work. Thus - no-one buying the album will be
disappointed - and the opening title track immediately
justifies the purchase and grasps the listener with a great hook,
(although for those of us on the British Isles, Mr. Cannata's
pronounciation of the H-word does seem strange. Harleykins anyone ?)
Regardless
of this minor quibble - and who is to say that JC isn't right - the
whole album has been truly beautifully produced, with a great guitar
sound, magical keyboard flourishes on As Far as the Eye Can See amongst
other tracks, and overall we are given a sumptuous AOR soundscape. The
band Jeff has surrounded himself with can truly play, but as expected he
burdens himself with drum, bass, keys, guitars
and all of the vocals, which makes the album's all the more remarkable.
One can hear musical nods to other great bands within the pomp/melodic
rock sphere - particularly the mighty Styx - and even to the 1988 Arc
Angel, with a re-recording of Fortune Teller.
HOWEVER…..
The
album could have been even better. Jeff is a good singer, but not a
great singer - and the songs could benefit from a stronger voice with a
greater range - I'm thinking Danny Vaughan here. The album is also
somewhat one-paced, with the pieces blending into one another rendering
it difficult to distinguish one from another. This may be a deliberate
attempt to make the whole album a piece in itself,
but IMHO the impact is diminished. The lyrics - there's nothing truly
wrong with them - but they do seem contrived. Uriah Heep do the magical,
mysterious and meaningless in a more believable manner.
There
is no need for a 'caveat emptor' here, as ultimately, no owner of
Harlequins of Light will be left disillusioned with what they HAVE
acquired,
only with what they have not - the missing pieces of 'what could have
been'. What could have been is a 10/10 AOR-Pomp classic, what it is is a
very solid
Hugh Braddock
70/100.
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